AEW's Booking is COMPLETE TRASH in 2026 -

AEW’s Booking is COMPLETE TRASH
#AEW #TonyKhan#WWE#allelitewrestling #AAA #ChadGable #elgrandeamericano

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0:00 Intro
1:55 AAA is better than AEW
3:00 AEW PPVs are carrying the company
4:25 AAA Noche de los Grandes was a classic show
7:30 AEW is desperate to sign New Day and ex-WWE Stars
8:48 AEW’s very white main event picture is a good thing?
10:10 Tony Khan is fumbling Mercedes Mone again

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AEW is so boring, with booking so bad it’s ridiculous. Once a month, the rasslin company graces our presence with a bunch of great wrestling on a pay-per-view, but as a weekly TV show tasked with developing meaningful characters, AEW sucks. AEW spent a year booking Hangman Page as its great white hope. Not only did he lose the world title shortly thereafter, he lost his ability to ever even challenge for it, which is the same mistake they made with former top AEW babyface Cody Rhodes, before he became QB1 of the entire wrestling business.

Britt Baker was the golden girl of AEW before she disappeared. AEW had a women’s wrestler who was also a dentist. This is the type of unique human-interest-baiting story that doesn’t just fall out of the sky. But unfortunately for Britt, and many like her, Tony Khan has a soft spot for the most generic wrestlers on his squad because they can do moves.

Kyle Fletcher is what you start off with in create a wrestler mode before you actually do anything to it.

I don’t give a s—t about any of these characters, because over the years we’ve been trained to believe that they’ll either be shipped to Khantanamo Bay or sign with WWE—if they’re good enough to go there. There’s so much wrestling for the sake of wrestling in AEW, it’s almost impossible to care about any of the stories they’re trying to tell. The storyteller in chief Tony Khan is more of a fantasy booker who can’t be bothered with decent stories. Instead, Tony just wants to watch men compete in fake wrestling matches and, say it with me, kiss Dave Meltzer on the mouth.

Today, we’re going to talk about all the reasons why AEW’s booking is trash, and why instead of thriving during WWE’s annual post-WrestleMania lull, AEW and its Cracker Graps just feels lifeless.

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WWE has been a creative conundrum in 2026. Between its build to WrestleMania 41, Night 1 of WrestleMania 41, beating Oba Femi shortly after his biggest career win at WrestleMania 41, and the stagnation of top stars like Liv, Dom and LA Knight, WWE’s booking has missed the mark. WWE is loaded with stars, both old and new, they’re somehow making chicken s—t from chicken salad.

Thankfully, there’s an alternative company that has picked up the pace while WWE lags in the distance. And that company: is AAA. AAA is on fire right now after their greatest match of the WWE Era when El Grande Americano beat the Original, who unmasked as Chad Gable. Of course, because AEW ruined most of their home-grown talent, they’re putting feelers out for Chad Gable to save AEW.

JEFF JARRETT CHAD GABLE AEW

This is just like how AEW put feelers out for the New Day when they parted ways with WWE. That’s because, more times than not, AEW fails miserably when it comes to building a real, personal relationship between its stars and the fans. That’s the most important part of any weekly television show regardless of the genre, and it’s a glaring weakness for AEW. The biggest selling point for AEW is its monthly PPVs filled with technical wrestling matches between two interchangeable pros. After that, unless MJF is champion, TV ratings and attendance are in constant decline because emotional investment in AEW talent is terminally temporary.

Basically, people like AEW for the same reason you pay for Hs. These Hoes are very technically sound in the art of professional seggs work. They twerk, they can make it clap, they can click their clear heels. They can do reverse cowgirl like they’re up for an Oscar in a sexy western, but you don’t even know what Jasmine’s favorite color is, do you? You’re not gonna tell your wife and kids about Jasmine. This is AEW in a nutshell. A pro wrestling brothel that leans on technical prowess more than it does emotional connection.

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