What camera should you buy? What’s the best way to get access to film for a pro team? What software should you use to edit? In this video professional sports videographer Peter Sarellas answers these questions and more!
0:00 Who am I?
0:45 The next big thing to buy for videography
1:35 Handling nerves when filming big events
4:22 Making a career change to videography
5:10 Finding work-life balance
6:51 Get access to film for pro teams
8:43 Best camera for beginners
10:44 Best camera for pro level productions
12:03 Which software to edit on
13:40 Is a NAS storage system worth it?
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CAMERAS
Sony FX3: |
Sony FX30: |
Sony A7IV: |
Insta360 Ace Pro 2: |
DJI Osmo360: |
LENSES
Sony 20mm f1.8: |
Tamron 35-150 f2-2.8: |
Tamron 28-75mm f2.8: |
Sony 70-200mm f4 Macro G OSS II: |
Sony 70-200mm f2.8 mk ii: |
Sony 100-400mm f4.5-5.6: |
Sony 16-35mm f2.8:
FILTERS
Tiffen Black Pro Mist ΒΌ: |
Tiffen Variable ND Filter: |
Tiffen 6-Point Star Filter: |
STABILIZATION
Manfrotto 290 Light Tripod: |
Manfrotto Video Monopod: |
DJI Ronin S (for heavier cameras): |
DJI RS 3 Mini: |
LIGHTING
Godox VL150: |
4ft Nanlite Pavotubes:
Amaran P60x light panel: |
AUDIO
Sony XLR-H1 XLR Top Handle Unit: |
Rode NTG2: |
Rode Wireless Pro: |
Rode Videomic NTG (my go-to shotgun mic): |
Rode Wireless GO II: |
ACCESSORIES
Hollyland Pyro 5: |
Hollyland Pyro S: |
Andycine A6 Plus Monitor: |
Smallrig Multitool: |
SmallRig V Mount Battery VB50: |
In this video, I break down exactly how to build a creative portfolio that actually gets you hired. We cover where you should post your work, why your personal website matters more than social media, how to structure your portfolio pages, and what clients are really looking for when they land on your site.
Competition in creative fields is intense. A strong, intentional portfolio is one of the biggest advantages you can build. If you want to work in sports media or become a full-time creative professional, this is essential.
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